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Jagmo, born Nels Jacobson, is a US artist and poster art historian born in Chicago in 1949. He moved to Austin, Texas in 1978 and began creating rock posters in 1981. For three years during the early 1980s Jacobson served as bar manager and promotional director for Austin’s Club Foot. He has designed posters for live-music venues such as Liberty Lunch, Cain's Ballroom and The Fillmore, and for performers such as Stevie Ray Vaughan, the Ramones, Divine, Roky Erickson, Etta James, Dead Kennedys, the B-52's, Bonnie Raitt, Joe Ely, Los Lobos, the Pixies, Iggy Pop, Willie Nelson, Fela Kuti, Jimmie Dale Gilmore and Jerry Jeff Walker. In 1987, Jacobson helped organize the Texas-U.S.S.R. Musicians' Exchange tour of the Soviet Union and accompanied the performers to Leningrad, Moscow and Kiev. He was the first art director for the South by Southwest (SXSW) Music Conference and designed the original logo. Jacobson is a founding Director of the American Poster Institute and the South Austin Museum of Popular Culture, and a board member of The Rock Poster Society (TRPS). ==Selected writings== "Art Laws and Outlaws: Legal Issues in Music Graphics" from SXSW 2015 (course materials for Continuing Legal Education Program) (Art Laws and Outlaws ) Introductory essay "Colorful Tales and Early Techniques" in ''Homegrown: Austin Music Posters, 1967 to 1982'' (Alan Schaefer, ed., University of Texas Press 2015) ISBN 978-0-292-76819-2 "Art of Rock and Roll" from the 24th Annual Entertainment Law Institute course book (TexasBarCLE and the Entertainment and Sports Law Section of the State Bar of Texas 2014) Introduction to chapter about Flatstock 4 in ''Rock Poster Show: Flatstock Volume One'' (Soundscreen Design 2010) ISBN 978-0-9843028-0-2 “Rock Music Posters and the Law” from ''Entertainment and Sports Lawyer'' Volume 23/Number 1 (American Bar Association Spring 2005) ISSN 0732-1880 http://www.jagmo.com/articles/Posters_Law.pdf ”Foreword,” with Dirk Fowler, to ''Swag 2: Rock Posters of the '90s and Beyond'' by Spencer Drate and Judith Salavetz, (Harry N. Abrams, Inc. 2005) ISBN 0-8109-9235-3 “Armadillos, Peccadillos, and the Maverick Posterists of Austin, Texas” from ''Prints and Printmakers of Texas: Proceedings of the Twentieth Annual North American Print Conference'' (Ron Tyler ed., Texas State Historical Association 1997) ISBN 0-87611-137-1 “Faith, Hope & Parody: Campbell v. Acuff-Rose, ‘Oh, Pretty Woman,’ and Parodists' Rights” from the ''Houston Law Review'' Volume 31/Number 3 (1994) ISSN 0018-6694 "The Maverick Tradition: Postering in Austin, Texas, Part II" from ''OFFtheWALL'' Volume No. 1/Issue No. 3 (1992) http://www.jagmo.com/articles/index.html "The Maverick Tradition: Postering in Austin, Texas, Part I" from ''OFFtheWALL'' Volume No. 1/Issue No. 2 (1991) http://www.jagmo.com/articles/index.html “Austin Poster Art” from ''The Austin Chronicle'' Vol. III/No.23 (July 13, 1984) ISSN 1074-0740 "The Request" (a poem) from ''Rolling Stone'' Issue No. 292 (May 31, 1979) ISSN 0035-791X 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Nels Jacobson」の詳細全文を読む スポンサード リンク
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